Jewelry That Breaks with
Tradition by Kathleen Beckett, published in The New York Times
By interviewing Eddie Borgo, a New-York based jewellery
designer; Marie Lassange, head buyer of fine jewellery and watches at Le Bon
Marche in Paris; Joel Towers, Executive Dean of Parsons: The New School of Design, and Stephen Webster, London
jewellery designer, Beckett tries to find a reason for the new forms and materials
found in the jewellery market today.
With the help of these four, Beckett uncovers some key
details in jewellery design today. It is not just the creative atmosphere among
the designers themselves that has produced a surge in this contemporary style
but also the creativity with which customers are choosing to wear their
jewellery. Stephen Webster discusses one important change with Beckett: the
fact that “[w]omen are now buying jewelry for themselves,” and as he puts it
women take risks, men don’t. Personally I agree, designers would have had to
make jewellery both attractive to the women wearing it and the men buying it
twenty or thirty years ago, whereas now they can create specifically for the
women themselves without the fear of not selling their designs.
Another important aspect to selling these designs is that they
are still made in expensive materials – perhaps not the gold and diamonds that
most people are used to but materials are considered luxurious today.
References
Beckett, K., 2015. Jewelry That Breaks With Tradition. The
New York Times [Online] 17 March
Available at: http://www.nytimes.com/2015/03/18/style/international/jewelry-that-breaks-with-tradition.html?_r=0
[Accessed 13 April 2015].
Available at: http://www.nytimes.com/2015/03/18/style/international/jewelry-that-breaks-with-tradition.html?_r=0
[Accessed 13 April 2015].
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